Strange markings indeed. Rachel Moritz’s “Word Blindness” inscribes a text that is by turns dark and […]
Editors’ Selections
I keep shifting the stems around until they face forward and lie flat. The thorns and […]
from COMPANY by Emily Hunt
my mouth pressed to innocence, my mouth pressed to heaven or none or few, a cold […]
They put their mouths up to the heavens, which, by ...
http://www.tupeloquarterly.com/wp-content/uploads/2018/06/On-Certainty-by-Karla-Kelsey.pdf Karla Kelsey is the author of four books, most recently Of Sphere, selected by […]
from ON CERTAINTY by Karla Kelsey
counting mountains writeth deer she was born a lull in aspen he, a stave to ash, […]
When in my days I called by Todd Melicker
I met Kate Folk at breakfast, at the MacDowell Colony. Over pancakes and bacon and cooked-to-order […]
An Introduction to Kate Folk by Megan Levad
In the woods the glottis trembled red over rock, the strange markings singular & secret, bees […]
Word Blindness by Rachel Moritz
Shauna Barbosa’s poems are so gorgeous and provocative as to be startling, like the sun sinking […]
An Introduction to Shauna Barbosa by dawn lonsinger
Todd Melicker’s poems arise from a spare economy of grace. His one or two word lines […]
An Introduction to Todd Melicker by Elizabeth Robinson
To be honest things weren’t going so well even before the head started coming out of […]
The Head in the Floor by Kate Folk
Elsbeth Pancrazi’s first book, Full Body Pleasure Suit, creates a defamiliarizing near-future (or current?) dystopic paradise through […]
An Introduction to Elsbeth Pancrazi by Megan Levad
The mind in night spreads out like fireflies – impatient lilting over flooding water, nowhere to […]