Kristina Marie Darling
It is truly an honor to introduce the thirty-eighth issue of Tupelo Quarterly. Gratitude to our distinguished guest editors, […]
Editor’s Note by Kristina Marie Darling
To clamor at the gates of the great houses drawn by their hulk, traces of their skeletons, belligerence […]
Education by Henry Sussman
In Ted Green’s paintings, one senses both a control and continual improvisation that gives a musical effect. Color […]
Ted Green
James Mercer draws as if perception itself were improvisational. His lines both describe and wander: uncertain, jittery, wormlike […]
James Mercer
Improvisation in Dawn Cerny’s work feels more like negotiation than freedom. Her sculptures often appear held together provisionally, […]
Dawn Cerny
Every once in a while a collection comes along that leaves its readers unraveling the pieces found within, […]