Kristina Marie Darling
It is truly an honor to introduce the thirty-seventh issue of Tupelo Quarterly. Gratitude to everyone who submitted work […]
Editor’s Note by Kristina Marie Darling
What makes Dawn McGuire’s “Field Notes: It’s 3 a.m.” so immediately arresting is not simply its premise—William Blake […]
On Dawn McGuire’s “Field Notes: It’s 3 a.m.” – by ...
Dawn McGuire is the author of four poetry collections. Her work has appeared in numerous anthologies and journals, […]
“Field Notes: It’s 3 a.m.” by Dawn McGuire
What first arrests us in Sam Magavern’s “Noah’s Weather Report” is its tone of calm authority—arriving not from […]
Weather as Prophecy, Praise as Labor, On Sam Magavern’s “Noah’s ...
Sam Magavern’s publications include a non-fiction book, Primo Levi’s Universe, and two books of poetry, Noah’s Ark and […]
“Noah’s Weather Report” by Sam Magavern
Adams’s poem unfolds as an ethics of enclosure. From its opening movement into “the cave,” knowledge is figured […]
On Carie Olivia Adams’ “In the cave . . .”
In the cave, you know your own lies, the stars up your sleeve. A universe made from your […]
(Untitled) by Carrie Olivia Adams
Jeffrey Levine is the founder, Artistic Director and Publisher of Tupelo Press, an award-winning literary press dedicated to […]
In a Withheld Downbeat: On Rosemary Herbert’s “A Lesson in ...
Rosemary Herbert is a writer whose work spans genres. Her poetry chapbook Sisters in Time, available from Finishing […]
“A Lesson in Conducting” by Rosemary Herbert
Here are four poems that at first blush seem to defy a unifying theme. This is after all […]
Within a Held Breath: A Quartet of Poems with Lyric ...
Allison Blevins (she/her) is the queer disabled author of four collections and six chapbooks. Winner of the 2024 […]