Virginia Konchan is the author of the poetry collection The End of Spectacle (Carnegie Mellon University Press, 2018), a collection of short stories, Anatomical Gift (Noctuary Press, 2017), and three chapbooks, Empire of Dirt (above/ground press, 2019), That Tree is Mine (dancing girl press, 2018), and Vox Populi (Finishing Line Press, 2015). She holds degrees from Beloit College (BA), Cleveland State University (MFA), and the University of Illinois-Chicago (Ph.D). Her poems have appeared in The New Yorker, Best New Poets, The Believer, and The New Republic, her essays and criticism in Kenyon Review Online, Boston Review, Jacket2, and Guernica, her translations in The Brooklyn Rail, Asymptote and Circumference, and her fiction in StoryQuarterly, Joyland, and Memorious, among other places. Her work has been anthologized in several collections, and her honors include grants and fellowships from the National Endowment for the Humanities, Vermont Studio Center, Ox-Bow, The Banff Center, and Scuola Internazionale di Grafica in Venice. Co-founder of Matter, a journal of poetry and political commentary, and Associate Editor for Tupelo Quarterly, she currently lives in Montreal and teaches at Concordia University.