Visual Art

SPLIT SECONDS: THE LANDSCAPE PAINTINGS OF MICHAEL GOODWIN a micro-interview with Elaine Sexton ELAINE SEXTON: These […]

Michael Goodwin

. ON THE DIGITIZED INSTAGRAMMED CITY, a micro-interview with Peter Scott by Elaine Sexton I first met […]

LOUISE FISHMAN: FOOTWORK IN FRONT OF THE CANVAS a micro-interview with Elaine Sexton ELAINE SEXTON: Given […]

Elizabeth Phelps Meyer’s “Rough and Ready” Delicate Vessels, a micro-interview with Elaine Sexton. […]

CONVERGING: JAYNE HOLSINGER’S WOMEN & LANDSCAPES, a micro-interview with Elaine Sexton Waiting in line at Cooper Union […]

KATARINA WESLIEN’s Material Making: How We Embody Place, a micro interview with Elaine Sexton I […]

A Micro-Interview with Bronlyn Jones: From Drafts of an Empty Page to Word Drawings: ELAINE SEXTON: […]

SUSTAINED LOOKING: A PORTFOLIO & A FEW WORDS WITH MARCIA MARCUS by Elaine Sexton […]

RO LOHIN: IN THE STILL AND PRESENT, A MICRO INTERVIEW Elaine Sexton: You’ve described your process of […]

Verticality and Balance Against the Pull of Gravity: a few words from Lois Dodd At 90, and […]

DAVID CRAIG: ON “NOT LOVED” MID-CENTURY ARCHITECTURE Elaine Sexton: One element of what makes your snap […]

ELANA HERZOG’S “INTERVENTIONS”: A MICRO INTERVIEW Elaine Sexton: Distressed fabric, in the form of bedspreads and […]