I am thrilled to present the winner, finalists and semi-finalists of the Tupelo Quarterly Poetry Contest, which […]
Editor’s Feature
When entering through the doors of a public building, we look behind us to see if anyone […]
Editor’s Foreword by Christopher Kondrich
For this issue of TQ, which has called up a theme of the relationship between poets and […]
Fort Juniper: A Poet’s Place by Jessamyn Smyth
TJ: Do you actually sit down to write a sonnet, ghazal, or villanelle? Or is it a […]
Women in Form: Nicole Sealey
TJ: Do you actually sit down to write a sonnet, ghazal, or villanelle? Or is it a […]
Women in Form: Katharine Johnsen
JJS Being me, I am, of course, interested in talking about your anthology Black Nature: Four Centuries […]
Manifest: a conversation with Camille Dungy by Jessamyn Smyth
In May, I had the opportunity to sit and talk with Katherine Bode-Lang, whose book The Reformation […]
The Reformation: a Conversation with Katherine Bode-Lang by Jessamyn Smyth
From ghoulies and ghosties And long-leggedy beasties And things that go bump in the night, Good Lord, deliver […]
The Animal Kingdom; Grand Metaphors by Bronwyn Mills
When I first began to write poems, I assumed that form was an archaic thing left in […]
Women in Form by TJ Jarrett
Charlie Bondhus’ poetry ranges freely through formalist, persona, image-strong free verse, and old school narrative. His […]
Charlie Bondhus: A Poet in Conversation(s) With Art by Jessamyn ...
TJ: Do you actually sit down to write a sonnet, ghazal, or villanelle? Or is it a […]
Women in Form: AE Stallings
TJ: Do you actually sit down to write a sonnet, ghazal, or villanelle? Or is it a […]