A Short Film: “Ménage à Trois: Flour, Eggs, & Sugar” by Michelle Yun-jeong


PROCESS NOTE

My process is a conversation—unfinished, layered, and always shifting. I begin with fragments: a thread, a memory, a line of poetry, a moving image. I never quite know where it’s going, and that uncertainty is where I feel most alive. Whether working in fabric, animation, or language, I lean into the material’s resistance and rhythm. Sometimes it folds into something I recognize; other times it unravels into something I didn’t know I was holding.

Much of my practice is rooted in experimentation—combining old techniques with new technologies, or letting accidents shape the final form. I think of each piece as a soft translation of something deeper: of longing, of home, of inheritance. Rather than seeking resolution, I stay open to revision. The work often tells me when it’s ready—when the silence becomes part of the structure, when the gesture speaks louder than explanation.

This is not a process of perfection. It’s one of returning, reworking, and finding meaning in the mess.