Lisa Olstein

Lisa Olstein is the author of four poetry collections, most recently, Little Stranger (Copper Canyon Press, 2013) and Late Empire (forthcoming in 2017). Her chapbook, The Resemblance of the Enzymes of Grasses to those of Whales Is a Family Resemblance, was a winner of the 2015 Essay Press Prize and will be released in fall 2016. Recipient of a Pushcart Prize, a Lannan Writing Residency, and fellowships from the Sustainable Arts Foundation, Massachusetts Cultural Council, and Centrum, she is a member of the poetry faculty for the University of Texas at Austin’s New Writers Project and Michener Center for Writers.


Strange Lights: A Micro(inter)view with Matthew Rohrer & a Portfolio of New Poems, curated by Lisa Olstein

Matthew Rohrer’s poetry collections include Surrounded by Friends (Wave Books, 2015), Destroyer and Preserver (Wave Books, 2011), A Plate of Chicken (Ugly Duckling Presse, 2009), Rise Up (Wave Books, 2007), A Green Light (Verse Press, 2004), Satellite (Wave Books, 2001), and A Hummock in the Malookas (W. W. Norton, 1995), which was selected by Mary Oliver for the 1994 National Poetry Series. With Joshua Beckman, he […]


“Most Difficult and Most Necessary”: A Micro(inter)view with Julie Carr & a Portfolio of New Poems – curated by Lisa Olstein

Julie Carr’s first collection of poetry, Mead: An Epithalamion (University of Georgia Press, 2004) was selected by Cole Swensen for the University of Georgia Contemporary Poetry Prize. Her other collections include Sarah — of Fragments and Lines (Coffee House Press, 2010), a National Poetry Series winner; 100 Notes on Violence (Ahsahta Press, 2010), selected by Rae […]


Micro(inter)view with Suzanne Buffam: How Not To Kill The Baby, curated by Lisa Olstein

Suzanne Buffam was born and raised in Montreal, Canada. She earned an MA in English from Concordia University and an MFA from the Iowa Writers’ Workshop. Her poetry collections include Past Imperfect (2005), The Irrationalist (2010), and A Pillow Book (2016). She has received the CBC Literary Award for Poetry […]


Lines Flecked With Gold and Scarlet: An Experiment in Color, Introduced by Lisa Olstein

    Poet-Reader-Person, what color is your heart? Green, says Sharon Olds (Deep in my body, my green heart) in “The Winter After Your Death,” fourteen lines flecked also with gold and scarlet, black and white. And if you are a rabbit humped higher and higher, black as stone, what […]