Dora Malech


Shape-shifting and the Subversive Sonnet: A Review of Angela Veronica Wong’s Elsa: An Unauthorized Autobiography

The title page layout of Angela Veronica Wong’s Elsa: An Unauthorized Autobiography breaks its subtitle down the right-hand margin: “an un- / authorized auto- / biography,” an apt design move to introduce a project that fragments the self across time and space. The speaker’s I is and is not a […]